Compositional Elements in Dioramas

Compositional Elements in Dioramas
This is an attempt to define some compositional elements for the novice dioramist. The principles set down below are taken from the teachings and analysis of painters and sculptors throughout the ages.
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To begin our work in 3 dimensions, it is first necessary to work in 2. The positioning on the base is important to the overall harmony and composition of the piece, as well as aiding the dioramist define the order in which the viewer sees the elements. One of the simplest and often used compositional elements is the "Golden Mean". This gives the artist 4 points within a rectangle that provide the greatest visual attraction. To identify those 4 places, draw a line diagonally from corner to corner. Next draw lines from the opposite corners to your diagonal line so that they intersect your line at a right angle
Repeat this from the opposite corners.
When Completed, your layout diagram should look similar to this.
The four points of intersection provide the most visually compelling points on the rectangular area. Arranging elements on or near these points draws attention to them beyond that of their color, mass and contrast.
Another method for achieving this end is the "Rule of Thirds". By dividing your rectangle into thirds horizontally and vertically, you are able to achieve the same result. Use whichever method is easiest for you.		Drawing by J. Northwood
While not forgoing the elements of good story telling, use of these points for key elements is more acceptable to the eye and helps to avoid that undefined feeling of something being "off" when viewing a diorama.
This image shows the major lines of movement on this particular figure. These lines lead the eye naturally and normally to the next figure in the diorama. The lines of the right arm and hammer are particularly strong. The minor flow (undrawn) along the helmet's horns is another one that could prove useful.
This simple layout, when combined with the individual flow lines of the separate miniatures themselves, can make for a dynamic and pleasing arrangement while at the same time maintaining the elements of "story" so necessary for a good diorama.
It is important to note that the direction and flow is not dependent solely on the structure of the miniatures. Careful placement of terrain elements is equally important in designing a good smooth direction in cases where the elements of the story take precedence over those of composition. A wall section or small tumbled stones (approximate locations indicated here in pencil) can as easily perform the requirements as the figures themselves. The purple lines here and in the image above indicate the general flow of the compositional elements in this diorama.